It is only through the lens of the past, an appreciation of traditional form, rituals and history that one understands the complexities of the present and can cope with the uncertainty of the future. In an increasingly plastic and digital world, as an artist working with clay/earth I am interested in understanding the philosophical underpinning of my material and medium, the many references, symbolisms and stories connected to it, materially and spiritually especially in my own cultural context. I present this paper not as a scholar but as a practicing artist and through my personal interests and travels in India. I will touch upon a few aspects of clay practices in India and discuss symbolism of clay, pot and clay forms, linking them through myth and ritual. The complex Indian thought developed through the ages is circular and spiral in its movement keeping pre-historic elements alive within its arts and rituals. Through the uncoiling and recoiling of circular time and with every technological change we lose some traditions but others simply get transformed with much of their roots traceable to a distant past and philosophy. Myth allows re-interpretation of texts, and rituals make them tangible. Through ritual and tradition the new and alien are permitted to transform and become familiar symbols and metaphors, allowing for the primal thought to continue into our contemporary existence
Date: October 2, 2018, 14:55-15:25 (Tuesday) Venue: Room 603, NO.161 , Sec, 1 , Zhongshan Rd, Banqiao District , New Taipei City 220 | 
Image credit: Courtesy of artist |